Articles Referencing Marcel Tabuteau

Articles on various subjects where Tabuteau figures prominently, or where he is integral to the matter at hand, are listed below alphabetically by author. A click will take you to the excerpted section(s) and the IDRS website where the full article can be accessed (if you are a member).

In Progress

Burgess, Geoffrey. Vibrato Awareness. The Double Reed. Vol. 24, No. 4 (2001): 127-135. https://www.idrs.org/publications/78-the-double-reed-2001-24-1/#page=34. Tabuteau referenced on pp. 130, 131, 132 .

de Lancie, John. Some Thoughts on the Strauss ConcertoThe Double Reed. Vol. 18, No. 2 (1995): 61-62. https://www.idrs.org/publications/56-the-double-reed-1995-18-2/#page=63. Tabuteau referenced on p. 61; reprinted in The Double Reed. Vol. 21, No. 1 (1998): 36-37. https://www.idrs.org/publications/67-the-double-reed-1998-21-1/#page=104. Tabuteau referenced on p. 37.

Eischeid, Susan. “Kurt Michaelis — A Life in Music.The Double Reed. Vol. 22, No. 3  (1999): 53-60.    https://www.idrs.org/publications/72-the-double-reed-1999-22-3/#page=55. Tabuteau referenced on pp. 54, 59-60.

Ewell, Terry. “A Bassoonist’s Expansions upon Marcel Tabuteau’s Drive.” The Journal of the International Double Reed Society 1992: 27-30.     https://www.idrs.org/publications/179-the-journal-of-the-idrs-1992/#page=29. Tabuteau referenced in paragraphs 1-4, 12, endnote No. 4.

Finkelman, Michael. “Philadelphia Story I, II.” The Double Reed. Vol. 24, No. 3 (2001): 29-63. https:// http://www.idrs.org/publications/80-the-double-reed-2001-24-3/#page=31. Tabuteau referenced on pp. 37, 43-49, 51-53, 54, 62 footnote No. 39.

Finkelman, Michael. “Philadelphia Story III, IV.” The Double Reed. Vol. 25, No. 3 (2002): 43-60. https://www.idrs.org/publications/84-the-double-reed-2002-25-3/#page=45. Tabuteau referenced on pp. 44-49, 51-54, 56.

Finkelman, Michael. “Philadelphia Story V.” The Double Reed. Vol. 25, No. 4 (2002): 73-83. https://www.idrs.org/publications/85-the-double-reed-2002-25-4/#page=75. Tabuteau referenced on pp. 73-82.

Finkelman, Michael. “Philadelphia Story VI, 1.” The Double Reed. Vol. 26, No. 3 (2003): 59-78. https://www.idrs.org/publications/88-the-double-reed-2003-26-3/#page=61. Tabuteau referenced on pp. 60-68, 71-78.

Finkelman, Michael. “Philadelphia Story VI, 2.” The Double Reed. Vol. 26, No. 4 (2003): 58-78. https://www.idrs.org/publications/89-the-double-reed-2003-26-4/#page=60. Tabuteau referenced on pp. 59-64, 66-67, 72, 74-77.

Finkelman, Michael. “Philadelphia Story VII.” The Double Reed. Vol. 27, No. 2 (2004): 97-114. https://www.idrs.org/publications/91-the-double-reed-2004-27-2/#page=99. Tabuteau referenced on pp. 98, 102, 108.

Finkelman, Michael. “John Minsker, 1912-2007“. The Double Reed. Vol. 30, No. 4 (2007): 15-16. https://www.idrs.org/publications/108-the-double-reed-2007-30-4/#page=17. Tabuteau referenced on pp. 15-16.

Finkelman, Michael. “Louis Rosenblatt (1928-2009).” [Philadelphia Story VIII]. The Double Reed. Vol. 32, No. 4 (2009): 11-17. https://www.idrs.org/publications/116-the-double-reed-2009-32-4/#page=13. Tabuteau referenced on pp. 11-12, 15, 17.

Fitch, Sara and Sublett, Shelly and  Swiney, Alvin. “Great Oboes of the Twentieth Century: Evolution of Tone-Hole Anatomy.” The Double Reed. Vol. 23, No. 2 (2000): 65-70. https://www.idrs.org/publications/75-the-double-reed-2000-23-2/#page=67. Tabuteau referenced on pp. 67-68, 70.

Gould, Gordon. Ray Still — Chicago [Magazine] InterviewThe Double Reed. Vol. 10, No. 1 (1987): 49-57. https://www.idrs.org/publications/31-the-double-reed-1987-10-1/#page=14. Tabuteau referenced on p. 53.

Heger, Theodore. Remembering When. The Double Reed. Vol. 22, No. 1 (1999): 47-49. https://www.idrs.org/publications/70-the-double-reed-1999-22-1/#page=16. Tabuteau referenced on pp. 47, 49.

Huffman, Robert. “John Minsker — Gentle Giant.” The Double Reed. Vol. 31, No. 3 (2008): 103-106.  https://www.idrs.org/wp-content/plugins/flowpaper-zine/php/services/view.php?doc=DR31_3.pdf&format=pdf&page=105. Tabuteau referenced on pp. 103-105.

Immonen, Delight Lewis. “W. Hans Moennig, Clarinets and Flutes.” The Double Reed. Vol. 6, No. 3 (1983): 18-24.   https://www.idrs.org/publications/157-the-double-reed-1983-6-3/#page=20. Tabuteau referenced on pp. 19, 21, 23.

Jensen, Arthur. Letters from SalzburgTo The World’s Oboists. Vol. 5, No. 3 (1977): 2-4. https://www.idrs.org/publications/229-to-the-worlds-oboists-1977-5-3/#page=2. Tabuteau referenced on pp. 2, 3.

Lambert Bloom, Sara. A Tribute to Robert Bloom in Honor of his 80th Birthday: Excerpts from Well-WishersThe Double Reed. Vol. 11, No. 3 (1988): 18-21. https://www.idrs.org/publications/36-the-double-reed-1988-11-3/#page=14. Tabuteau referenced on p. 19.

Lehrer, Nancy and Charles-David. An Interview with a Great Oboe Teacher-Sahl SpanoThe Double Reed. Vol. 7, No. 3 (1984): 34-45. https://www.idrs.org/publications/161-the-double-reed-1984-7-3/#page=38. Tabuteau referenced on p. 36.

Lehrer, Charles-David. The Importance of Being Earnest: The E. Earnest Harrison Story. The Journal of the International Double Reed Society 1995: 35-51.  https://www.idrs.org/publications/182-the-journal-of-the-idrs-1995/#page=38. Tabuteau referenced on pp. 37, 38, 40, 41, 42, 48, 49, 50, 51; reprinted in The Double Reed. Vol. 21, No. 2 (1998): 18-31. https://www.idrs.org/publications/68-the-double-reed-1998-21-2/#page=36. Tabuteau referenced on pp. 19-20, 21, 22, 24, 28, 29, 30, 31.

Lehrer, Charles-David. “Marc Mostovoy’s Concerto Soloists of Philadelphia: A Fiftieth Anniversary Retrospective.” The Double Reed. Vol. 38, No. 1 (2015): 51-106. https://www.idrs.org/publications/138-the-double-reed-2015-38-1/#page=53. Tabuteau referenced on pp. 51, 53, 57-58, 70-74.

Margelli, Tad. “The Paris Conservatoire Concours Oboe Solos: The Gillet Years (1882-1919).” The Journal of the International Double Reed Society 1996: 41-55.      https://www.idrs.org/publications/183-the-journal-of-the-idrs-1996/#page=43. Tabuteau referenced on pp. 41, 49.

McGill, David. “John Minsker, January 23, 1912 – August 5, 2007“. The Double Reed. Vol. 30, No. 4 (2007): 17-23. https://www.idrs.org/publications/108-the-double-reed-2007-30-4/#page=19. Tabuteau referenced on pp. 17-20, 22-23.

Palmer, Andrew. Heinz Holliger. The Double Reed. Vol. 20, No. 2 (1997): 81-83. https://www.idrs.org/publications/65-the-double-reed-1997-20-2/#page=84. Tabuteau referenced on p. 82.

Prodan, James. Discography of Oboe Music. The Journal of the International Double Reed Society 1982: 36-63.  https://www.idrs.org/publications/168-the-journal-of-the-idrs-1982/#page=70. Tabuteau referenced on pp. 40, 42, 44, 62.

Robinson, Joseph. “What I learned in the Lenoir High School Band.” The Double Reed. Vol. 19, No. 1  (1996): 75-79.  https://www.idrs.org/publications/58-the-double-reed-1996-19-1/#page=77. Tabuteau referenced on pp. 76-78.

Robinson, Joseph. “Oboists, Exhale Before Playing.” The Double Reed. Vol. 19, No. 3  (1996): 93-96. https://www.idrs.org/publications/60-the-double-reed-1996-19-3/#page=95. Tabuteau referenced on p. 93.

Rusinkovitch, Shelly. “A Day in the Oboe Studio of Joseph Robinson.” The Double Reed. Vol. 29, No. 2 (2006): 16-18.  https://www.idrs.org/publications/99-the-double-reed-2006-29-2/#page=18. Tabuteau referenced on p. 16.

Singer, Laurence. “Vibrato as a Concept in Woodwind Performance, Part II.” The Double Reed. Vol. 23, No. 3  (2000): 82.  https://www.idrs.org/publications/76-the-double-reed-2000-23-3/#page=84. Tabuteau referenced on p. 82.

Stolper, Daniel. Important PremiersTo The World’s Oboists. Vol. 5, No. 3 (1977): 7-8. https://www.idrs.org/publications/229-to-the-worlds-oboists-1977-5-3/#page=6. Tabuteau referenced on p. 7.

Stolper, Daniel. Who Are They? Where Are They Now? To The World’s Oboists. Vol. 5, No. 3 (1977): 8. https://www.idrs.org/publications/229-to-the-worlds-oboists-1977-5-3/#page=8. Tabuteau referenced (photo) on p. 8.

Storch, Laila. “Georges Gillet: Master Performer and Teacher.” The Journal of the International Double Reed Society1977: 1-19.  https://www.idrs.org/publications/188-the-journal-of-the-idrs-1977/#page=9. Tabuteau referenced on pp. 1, 10, 12-13, 16-17, 19; reprinted inThe Double Reed. Vol. 19, No. 3 (1996): 17-35. https://www.idrs.org/publications/60-the-double-reed-1996-19-3/#page=19. Tabuteau referenced on pp. 17, 26, 28, 29, 32, 35.

Storch, Laila. To the Editor. The Double Reed. Vol. 3, No. 3 (1980): 26. https://www.idrs.org/publications/104-the-double-reed-1980-3-3/#page=8. Tabuteau referenced on p. 26.

Storch, Laila. “100 Years of F. Loreé: 1881-1981.” The Journal of the International Double Reed Society 1981: 28-42.  https://www.idrs.org/publications/193-the-journal-of-the-idrs-1981/#page=34. Tabuteau referenced on pp. 28, 33, 34, 36, 38, 40.

Storch, Laila. The Georges Gillet Etudes: a Little-Known Early Edition. The Double Reed. Vol. 8, No. 2 (1985): 34-38. https://www.idrs.org/publications/162-the-double-reed-1985-8-2/#page=36. Tabuteau referenced on pp. 34, 37, 38.

Storch, Laila . “In Memory of Robert de Gourdon.” The Double Reed. Vol. 16, No. 3 (1993): 37-38.   https://www.idrs.org/publications/51-the-double-reed-1993-16-3/#page=39. Tabuteau referenced on pp. 37-38.

Storch, Laila . “My Dinner with Toscanini.” The Double Reed. Vol. 18, No. 3 (1995): 65-70.   https://www.idrs.org/publications/57-the-double-reed-1995-18-3/#page=67 Tabuteau referenced on pp. 66-70.

Sundet, Jerald. “Léon Goosens– Master Oboist.” To The World’s Oboists. Vol. 2, No. 3 (1974): 1-3. https://www.idrs.org/publications/220-to-the-worlds-oboists-1974-2-3/#page=1. Tabuteau referenced on p. 2; reprinted in The Double Reed. Vol. 20, No. 1 (1997): 17-18. https://www.idrs.org/publications/64-the-double-reed-1997-20-1/#page=19. Tabuteau referenced on p. 17.

Sundet, Jerald. Lady Evelyn Rothwell, “The Companion to Oboists.” To The World’s Oboists. Vol. 4, No. 1 (1976): 1-3. https://www.idrs.org/publications/224-to-the-worlds-oboists-1976-4-1/#page=2. Tabuteau referenced on p. 2.

Vogel, Alan. French, German, and American Oboe PlayingThe Journal of the IDRS 1978: 19-29. https://www.idrs.org/publications/189-the-journal-of-the-idrs-1978/#page=19. Tabuteau referenced on pp. 19, 24, 26-28.

Webber, Miriam Brack. “Note Grouping: A Music Theorist’s Perspective.” The Double Reed. Vol. 38, No. 4 (2015): 97-108. https://www.idrs.org/publications/142-the-double-reed-2015-38-4/#page=99. Tabuteau referenced on pp. 97-98, 101-103, 105, 107-108.

Webster, Daniel. Farewell to the Master Leaving his Musical Mecca. Double Reed. Vol. 6, No. 4 (1983): 8-11. https://www.idrs.org/publications/157-the-double-reed-1983-6-1/#page=10. Tabuteau referenced on p. 9; reprinted in The Double Reed. Vol. 12, No. 1 (1989): 19-22. https://www.idrs.org/publications/37-the-double-reed-1989-12-1/#page=2. Tabuteau referenced on p. 20; reprinted in The Journal of the IDRS 1998: 9-12. https://www.idrs.org/publications/185-the-journal-of-the-idrs-1998/#page=12. Tabuteau referenced on p. 10.

West, Philip. Paris–Var 1998. 137-139. The Double Reed. Vol. 21, No. 3 (1998): 137-139. https://www.idrs.org/publications/69-the-double-reed-1998-21-3/#page=44. Tabuteau referenced on pp. 137, 138, 139.

Several Authors. 25 Years in the Cleveland Orchestra and a New Concerto. The Double Reed. Vol. 15, No. 1 (1992): 63-69. https://www.idrs.org/publications/46-the-double-reed-1992-15-1/#page=30. Tabuteau referenced on pp. 65, 66, 67.