Articles in Other Periodicals

Anon. “The New School of Musical Art.” The New Music Review. Vol. 4, No. 38 (December 1904): 380-381.

Anon. “A Wind Instrument Player’s Club.” The New Music Review. Vol. 5, No. 49 (December 1905).

Anon. “Oboist Enters the Legion of Honor.” The Etude. (April 1938): 218.

Anon. “Marcel Tabuteau Honored by French Government“. The Journal of the Philadelphia Orchestra (c. 1940): 47.

Anon. “Phila. Orchestra Members Follow Many Hobbies“. The Journal of the Philadelphia Orchestra (c. 1940): 823, 826.

Anon. “The Philadelphia Orchestra; Résumé of the Season 1946-1947“. The Journal of the Philadelphia Orchestra (1946): 3-.

Anon. “Next Week’s Soloists“. The Journal of the Philadelphia Orchestra (c. 1940): 774

Anon. “Tabuteau Directs Curtis Ensemble.” Woodwinds (May 1948): 17.

Bilger, David. “Inside the Orchestra Section: Playing by the Numbers.” ITG Journal.  Vol. 40, No. 3  (2016): 61-63.

Chan, Joyce. “Forward Motion: Teaching Phrasing Using Marcel Tabuteau’s Number System.” Journal of the American Viola Society. Vol. 29, No. 1 (2013): 33-38.

Collis, James. “Marcel Tabuteau.” Woodwinds (February 1948) 12.

Collis, James.  “Marcel Tabuteau Retires.”  Symphony Magazine. Vol. 8, No. 9 (1954): 9.

Cowan, Robert. “Historical–Germanic Celebration.” BBC Magazine. Vol. 6, No. 12 (1996): 86.  https://openmusiclibrary.org/article/684690/

de Lerma, Dominique-René. “A Few Basics in Phrasing Part 1.” Woodwind World. Vol 5, No. 6 (February 1953): 4-5.

de Lerma, Dominique-René. “A Few Basics in Phrasing Part 2.” Woodwind World. Vol 5, No. 7 (March 1953): 6-7.

de Lerma, Dominique-René. “Phrasing: A Matter of Feeling.” Woodwind World. Vol 12, No. 9 (1967): 6-8.

de Lerma, Dominique-René. “Request for a Scholarly Study of Reedmaking.” Woodwind World. Vol 12, September-October (1967): 4

de Lerma, Dominique-René. “Toward a Concept of Tabuteau’s Phrasing.” The Instrumentalist. Vol. 28, No. 8 (1974): 44-45.

Goll-Wilson, Kathleen. “First Flute for 39 Years, an Interview with Donald Peck.” The Instrumentalist (May 1966): 17.

Grabell, Joyce. “Forward Motion: Teaching Phrasing Using Marcel Tabuteau’s Number System.”  Journal of the American Viola Society. (Spring 2013).

Hedrick, Peter. “Some Reflections on American Oboe Playing.” Symphony Magazine. (December 1972): 21-23.

Herbine, Lois Bliss. “William Kincaid and Marcel Tabuteau: A Legendary Collaboration.” Flutist Quarterly. Vol. 31, No. 2 (2006): 46-51.

Kaufman, Albert. “Woodwind Profile: Marcel Tabuteau.” Woodwind World. (June 1953): 9.

Loewy, Andrea Kapell. “Musical Concepts of Marcel Tabuteau.NACWPI Journal. Vol. 37, No. 2 (Winter 1988-1989): 13-16.

Mencher, Steve and Singer, Rosanne. “Fifty Years of American Orchestras.” Symphony Magazine. July-August (1942): 80.

Rider, Wendell.  “Creative Musical Phrasing.” Journal of the International Horn Society. Vol. 38, No. 2. (2008).

Shulman, Harry. “Guide to a Flexible Tone.” Woodwind Magazine. Vol. 2 (June-July 1950): 4-5.

Stevens, Melissa. “Marcel Tabuteau: An Interview with John Krell.” Flutist Quarterly. Vol. 26, No. 3 (2001): 56-60.

Storch, Laila. “Unforgettable Festival at Prades.” Symphony Magazine. (July-August 1950).