Articles Referencing Marcel Tabuteau

Articles on various subjects where Tabuteau figures prominently, or where he is integral to the matter at hand, are listed below alphabetically by author. A click on a link will take you to the Tabuteau-specific excerpt(s) that has been extracted.

Alfee, Martha Scherer. My Life with the Oboe. The Double Reed. Vol. 25, No. 1 (2002): p. 18. https://www.idrs.org/publications/82-the-double-reed-2002-25-1/#page=20. Tabuteau referenced on p. 18.

Black, Neil. Oboists of my TimeThe Double Reed. Vol. 33, No.1 (2010): pp. 51-65. https://www.idrs.org/publications/117-the-double-reed-2010-33-1/#page=53. Tabuteau referenced on pp. 55, 56.

Bloom, Peter. History, Memory and the Oboe Concerto by Richard Strauss. The Double Reed. Vol. 28, No. 3 (2005): pp. 77-95. https://www.idrs.org/publications/96-the-double-reed-2005-28-3/#page=79. Tabuteau referenced on pp. 78, 80, 89, 92, 94.

Bloom, Sarah Lambert. A Tribute to Robert Bloom in Honor of his 80th Birthday: Excerpts from Well-WishersThe Double Reed. Vol. 11, No. 3 (1988): pp. 18-21. https://www.idrs.org/publications/36-the-double-reed-1988-11-3/#page=14. Tabuteau referenced on p. 19. Reprinted in part in The Journal of the IDRS, 1998, pp. 39-43. https://www.idrs.org/publications/185-the-journal-of-the-idrs-1998/#page=39. Tabuteau referenced on pp. 39, 41.

Brodersen, Christopher. An Interview with Jeffrey Rathbun, Assistant Principal Oboist of the Cleveland Orchestra. The Double Reed. Vol. 43, No.1 (2020): pp. 125-136. https://www.idrs.org/publications/the-double-reed-vol-43-no-1-2020/#page=127. Tabuteau referenced on pp. 132, 133, 135, 136.

Burgess, Geoffrey. Vibrato Awareness. The Double Reed. Vol. 24, No. 4 (2001): pp. 127-135. https://www.idrs.org/publications/81-the-double-reed-2001-24-4/#page=1. Tabuteau referenced on pp. 130, 131, 132.

Burgess, Geoffrey. Bruce Haynes: Legendary Pioneer of the Hautboy. The Double Reed. Vol. 35, No. 1 (2012): pp. 65-108. https://www.idrs.org/publications/126-the-double-reed-2012-35-1/#page=67. Tabuteau referenced on pp. 67, 96, 97, 98.

Burgess, Geoffrey. Oboists and Their Reeds. The Double Reed. Vol. 42, No. 1 (2014): pp. 69-89. https://www.idrs.org/publications/double-reed-vol-42-no-1/#page=71. Tabuteau referenced on pp. 69, 74, 79, 80, 81, 83, 87, 88.

Burgess, Geoffrey. The International Oboe Community Celebrates Laila Storch at her Centenary. The Double Reed. Vol. 43, No. 4 (2020): pp. 52-93. https://www.idrs.org/publications/the-double-reed-vol-43-no-4-2020/#page=54. Tabuteau referenced throughout.

Claude, Joseph. Alfred Genovese and Eric Barr: Memories of a Friendship. The Double Reed. Vol. 37 No. 2 (2014): pp. 64-90. https://www.idrs.org/publications/136-the-double-reed-2014-37-2/#page=66. Tabuteau referenced on pp. 65, 67, 69, 70, 73, 75, 76, 77, 79, 82, 85, 89, 90.

DeAlmeida, Cynthia. Laila Storch’s Master Class on the Master — Marcel Tabuteau. The Double Reed. Vol. 32, No. 3 (2009): pp. 43-44.  https://www.idrs.org/publications/115-the-double-reed-2009-32-3/#page=45. Tabuteau referenced on pp. 43, 44.

de Lancie, John. Some Thoughts on the Strauss ConcertoThe Double Reed. Vol. 18, No. 2 (1995): pp. 61-62. https://www.idrs.org/publications/56-the-double-reed-1995-18-2/#page=63. Tabuteau referenced on p. 61; reprinted in The Double Reed. Vol. 21, No. 1 (1998): pp. 36-37. https://www.idrs.org/publications/67-the-double-reed-1998-21-1/#page=104. Tabuteau referenced on p. 37.

Eischeid, Susan. Kurt Michaelis — A Life in Music. The Double Reed. Vol. 22, No. 3  (1999): pp. 53-60. https://www.idrs.org/publications/72-the-double-reed-1999-22-3/#page=55. Tabuteau referenced on pp. 54, 59, 60.

Ewell, Terry. Teaching the Beginning Bassoonist. The Double Reed. Vol. 23, No. 2 (2000): pp. 35-43.https://www.idrs.org/publications/75-the-double-reed-2000-23-2/#page=37. Tabuteau referenced on pp. 41, 43.

Ewell, Terry. Banff 2002: Master Classes, Lectures, and Voices from Little Notes. The Double Reed. Vol. 25, No. 3 (2002): pp. 29-33. https://www.idrs.org/publications/84-the-double-reed-2002-25-3/#page=24. Tabuteau referenced on p. 30.

Finkelman, Michael. Philadelphia Story I, II. The Double Reed. Vol. 24, No. 3 (2001): pp. 29-63. https:// www.idrs.org/publications/80-the-double-reed-2001-24-3/#page=31. Tabuteau referenced on pp. 37, 43, 44, 45, 46, 47, 48, 49, 51, 52, 53, 54, 62.

Finkelman, Michael. Philadelphia Story III, IV. The Double Reed. Vol. 25, No. 3 (2002): pp. 43-60. https://www.idrs.org/publications/84-the-double-reed-2002-25-3/#page=45. Tabuteau referenced on pp. 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 56, 59.

Finkelman, Michael. Philadelphia Story V. The Double Reed. Vol. 25, No. 4 (2002): pp. 73-83. https://www.idrs.org/publications/85-the-double-reed-2002-25-4/#page=75. Tabuteau referenced on pp. 73, 74, 75, 76, 77, 78, 79, 80, 81, 82.

Finkelman, Michael. Philadelphia Story VI, 1. The Double Reed. Vol. 26, No. 3 (2003): pp. 59-78. https://www.idrs.org/publications/88-the-double-reed-2003-26-3/#page=61. Tabuteau referenced on pp. 60, 61, 62, 63, 64, 65, 66, 67, 68, 71, 72, 73, 74, 75, 76, 77, 78.

Finkelman, Michael. Philadelphia Story VI, 2. The Double Reed. Vol. 26, No. 4 (2003): pp. 58-78. https://www.idrs.org/publications/89-the-double-reed-2003-26-4/#page=60. Tabuteau referenced on pp. 59, 60, 61, 62, 63, 64, 66, 67, 72, 74, 75, 76, 77.

Finkelman, Michael. Philadelphia Story VII. The Double Reed. Vol. 27, No. 2 (2004): pp. 97-114. https://www.idrs.org/publications/91-the-double-reed-2004-27-2/#page=99. Tabuteau referenced on pp. 98, 102, 108.

Finkelman, Michael. Book Review: The Oboe by Geoffrey Burgess & Bruce Haynes. The Double Reed. Vol. 28, No. 1 (2005): pp. 130-146. https://www.idrs.org/publications/94-the-double-reed-2005-28-1/#page=94. Tabuteau referenced on pp. 141, 142.

Finkelman, Michael. John Minsker, 1912-2007. The Double Reed. Vol. 30, No. 4 (2007): pp. 15-16. https://www.idrs.org/publications/108-the-double-reed-2007-30-4/#page=17. Tabuteau referenced on pp. 15-16.

Finkelman, Michael. Louis Rosenblatt (1928-2009). [Philadelphia Story VIII]. The Double Reed. Vol. 32, No. 4 (2009): pp. 11-17. https://www.idrs.org/publications/116-the-double-reed-2009-32-4/#page=13. Tabuteau referenced on pp. 11, 12, 15, 17.

Finkelman, Michael. Louis Rosenblatt III: The Philadelphia Years, 1979-2009. The Double Reed. Vol. 37, No. 1 (2014): pp. 51-82. https://www.idrs.org/publications/135-the-double-reed-2014-37-1/#page=1. Tabuteau referenced on pp. 79, 81, 82.

Finkelman, Michael. John de Lancie: The Art of Creating the Musical Line. The Double Reed. Vol. 37, No. 3 (2014): pp. 163-166. https://www.idrs.org/publications/137-the-double-reed-2014-37-3/#page=165. Tabuteau referenced on pp. 163, 165, 166.

Finkelman, Michael. Obituary: Stevens Hewitt (1924-2017). The Double Reed. Vol. 40, No. 1  (2017): pp. 23-26.  https://www.idrs.org/publications/the-double-reed-40-1/#page=25. Tabuteau referenced on pp. 24, 25.

Gould, Gordon. Ray Still — Chicago [Magazine] InterviewThe Double Reed. Vol. 10, No. 1 (1987): pp. 49-57. https://www.idrs.org/publications/31-the-double-reed-1987-10-1/#page=14. Tabuteau referenced on p. 53.

Heger, Theodore. Remembering When. The Double Reed. Vol. 22, No. 1 (1999): pp. 47-49. https://www.idrs.org/publications/70-the-double-reed-1999-22-1/#page=16. Tabuteau referenced on pp. 47, 49.

Holley, Whitney, and Dwight Manning. David Ledet: Music Educator, Scholar, Editor, Curator. The Double Reed. Vol. 35, No. 3 (2012): pp. 111-133 . https://www.idrs.org/publications/127-the-double-reed-2012-35-3/#page=112. Tabuteau referenced on pp. 111, 112, 114, 133.

Hough, James. The Oboe Repertoire Festival. The Double Reed. Vol. 24, No. 4 (2001): pp. 70-72. https://www.idrs.org/publications/78-the-double-reed-2001-24-1/#page=34. Tabuteau referenced on pp. 70, 71, 72.

Huffman, Robert. John Minsker — Gentle Giant. The Double Reed. Vol. 31, No. 3 (2008): pp. 103-106.  https://www.idrs.org/wp-content/plugins/flowpaper-zine/php/services/view.php?doc=DR31_3.pdf&format=pdf&page=105. Tabuteau referenced on pp. 103, 104, 105.

Immonen, Delight Lewis. W. Hans Moennig, Clarinets and Flutes. The Double Reed. Vol. 6, No. 3 (1983): pp. 18-24.   https://www.idrs.org/publications/157-the-double-reed-1983-6-3/#page=20. Tabuteau referenced on pp. 19, 21, 23.

Izotov, Eugene. Ralph Gomberg Centennial Birthday Tribute. The Double Reed. Vol. 44, No. 3 (2021): pp. 42-52.   https://www.idrs.org/publications/the-double-reed-vol-44-no-3-2021/#page=45. Tabuteau referenced on pp. 45, 50, 52.

Jakes, Miriam. Ralph GombergThe Double Reed. Vol. 28, No. 1 (2004): pp. 93-97. https://www.idrs.org/publications/94-the-double-reed-2005-28-1/#page=94. Tabuteau referenced on pp. 93, 94, 95, 96, 97.

Jensen, Arthur. Letters from SalzburgTo The World’s Oboists. Vol. 5, No. 3 (1977): pp. 2-4. https://www.idrs.org/publications/229-to-the-worlds-oboists-1977-5-3/#page=2. Tabuteau referenced on pp. 2, 3.

King, Doug. The Experts’ Expert — Oboists / Double Reed Masters. The Double Reed. Vol. 28, No. 4 (2005): pp. 85-87. https://www.idrs.org/publications/97-the-double-reed-2005-28-4/#page=26 25. Tabuteau referenced on p. 87.

Kopp, James. Julliard’s President Joseph W. Polisi Talks About the Future, the Past, and the Bassoon. The Double Reed. Vol. 33, No. 3 (2010): pp. 51-56. https://www.idrs.org/publications/119-the-double-reed-2010-33-3/#page=53. Tabuteau referenced on p. 54.
Lawrence, David. Sara Lambert Bloom: Robert Bloom – The Story of a Working Musician. The Double Reed. Vol. 33, No. 2 (2010): pp. 145-146. https://www.idrs.org/publications/118-the-double-reed-2010-33-2/#page=147. Tabuteau referenced on pp. 145, 146.

Leclair, Jacqueline. Josef Marx: You Are Standing on His Shoulders. The Double Reed. Vol. 44, No. 2 (2021): pp. 143-166. https://www.idrs.org/publications/the-double-reed-vol-44-no-2-2021/#page=145. Tabuteau referenced on p. 147, 148.

Lehrer, Nancy and Charles-David. An Interview with a Great Oboe Teacher-Sahl SpanoThe Double Reed. Vol. 7, No. 3 (1984): pp. 34-45. https://www.idrs.org/publications/161-the-double-reed-1984-7-3/#page=38. Tabuteau referenced on p. 36.

Lehrer, Charles-David. The Importance of Being Earnest: The E. Earnest Harrison Story. The Journal of the International Double Reed Society 1995: pp. 35-51.  https://www.idrs.org/publications/182-the-journal-of-the-idrs-1995/#page=38. Tabuteau referenced on pp. 37, 38, 40, 41, 42, 48, 49, 50, 51; reprinted in The Double Reed. Vol. 21, No. 2 (1998): 18-31. https://www.idrs.org/publications/68-the-double-reed-1998-21-2/#page=36. Tabuteau referenced on pp. 19-20, 21, 22, 24, 28, 29, 30, 31.

Lehrer, Charles-David. Marc Mostovoy’s Concerto Soloists of Philadelphia: A Fiftieth Anniversary Retrospective. The Double Reed. Vol. 38, No. 1 (2015): pp. 51-74. https://www.idrs.org/publications/138-the-double-reed-2015-38-1/#page=53. Tabuteau referenced on pp. 51, 53, 57, 58, 70, 71, 72, 73, 74.

Lehrer, Charles-David. A Lorée Système 6 bis, modéle Tabuteau. The Double Reed. Vol. 43, No. 1 (2020): pp. 90-92. https://www.idrs.org/publications/the-double-reed-vol-43-no-1-2020/#page=92. Tabuteau referenced on pp. 90-92.

Libby, Cynthia Green. Founding Mother of the International Double Reed Society. The Double Reed. Vol. 31, No. 3 (2008): pp. 85-90. https://www.idrs.org/publications/111-the-double-reed-2008-31-3/#page=88 . Tabuteau referenced on pp. 86, 87.

Mack, John. Effective Guidance for the Young Oboist. The Journal of the IDRS 1974: pp. 25-37. https://www.idrs.org/publications/179-the-journal-of-the-idrs-1974/#page27. Tabuteau referenced on pp. 25, 33; reprinted in The Double Reed. Vol. 19, No. 3 (1996): pp. 53-65. https://www.idrs.org/publications/60-the-double-reed-1996-19-3/#page=19. Tabuteau referenced on pp. 53, 61, 63.

Margelli, Tad. The Paris Conservatoire Concours Oboe Solos: The Gillet Years (1882-1919). The Journal of the International Double Reed Society (1996): pp. 41-55.   https://www.idrs.org/publications/183-the-journal-of-the-idrs-1996/#page=43. Tabuteau referenced on pp. 41, 43, 49.

Marquard, Bryan. Alfred Genovese, 79, Brought Sweetness of Tone to the Oboe. The Double Reed. Vol. 34, No. 4 (2011): pp. 11-12 . https://ww,w.idrs.org/publications/124-the-double-reed-2011-34-4/#page=12. Tabuteau referenced on pp. 11, 12.

McGill, David. John Minsker, January 23, 1912 – August 5, 2007. The Double Reed. Vol. 30, No. 4 (2007): pp. 17-23. https://www.idrs.org/publications/108-the-double-reed-2007-30-4/#page=19. Tabuteau referenced on pp. 17, 18, 19, 20, 21, 22, 23.

Neal, Lana. The American Oboe School: Its History and Hallmarks. The Double Reed. Vol. 22, No. 2 (1999): pp. 51-56. https://www.idrs.org/publications/71-the-double-reed-1999-22-2/#page=53. Tabuteau referenced throughout.

Palmer, Andrew. Heinz Holliger. The Double Reed. Vol. 20, No. 2 (1997): pp. 81-83. https://www.idrs.org/publications/65-the-double-reed-1997-20-2/#page=84. Tabuteau referenced on p. 82.

Parker, Jon Kimura. Obituary: Laila Storch (1921-2022). The Double Reed. Vol. 45, No. 4 (2022): pp. 17-18. https://www.idrs.org/publications/the-double-reed-vol-45-no-4-2022/#page=19. Tabuteau referenced throughout.

Post, Nora. Long Winded: A Memoir by Joseph Robinson. The Double Reed. Vol. 40, No. 4 (2017): pp. 94-102. https://www.idrs.org/publications/the-double-reed-40-4/#page=96. Tabuteau referenced on pp. 97, 98, 102.

Prodan, James. Discography of Oboe Music. The Journal of the International Double Reed Society 1982: pp. 36-63. https://www.idrs.org/publications/168-the-journal-of-the-idrs-1982/#page=70. Tabuteau referenced on pp. 40, 42, 44, 62.

Ridilla, Andrea, and Leonardo Fuks. Sweet Cane Dreams: The Inner Role of the Double Reed. The Double Reed. Vol. 41, No. 4 (2018): pp. 123-134. https://www.idrs.org/publications/double-reed-vol-41-no-4/#page=125. Tabuteau referenced on pp. 131, 132, 133, 134.

Robinson, Joseph. What I learned in the Lenoir High School Band. The Double Reed. Vol. 19, No. 1  (1996): pp. 75-79.  https://www.idrs.org/publications/58-the-double-reed-1996-19-1/#page=77. Tabuteau referenced on pp. 76, 77, 78.

Robinson, Joseph. Oboists, Exhale Before Playing. The Double Reed. Vol 10, No. 3 (1987): pp. 16-19. https://www.idrs.org/publications/33-the-double-reed-1987-10-3/#page=18. Reprinted in The Double Reed. Vol. 19, No. 3  (1996): pp. 93-96. https://www.idrs.org/publications/60-the-double-reed-1996-19-3/#page=95. Tabuteau referenced throughout.

Rusinkovitch, Shelly.  A Day in the Oboe Studio of Joseph Robinson. The Double Reed. Vol. 29, No. 2 (2006): pp. 16-18. https://www.idrs.org/publications/99-the-double-reed-2006-29-2/#page=18. Tabuteau referenced on p. 16.

Schwartz, Norman. The Pavarotti of the Oboe: Robert Bloom. The Double Reed. Vol. 28, No. 1 (2005): pp. 103-104. https://www.idrs.org/publications/94-the-double-reed-2005-28-1/#page=105. Tabuteau referenced on pp. 103, 104.

Singer, Laurence. Vibrato as a Concept in Woodwind Performance, Part II. The Double Reed. Vol. 23, No. 3  (2000): p. 82. https://www.idrs.org/publications/76-the-double-reed-2000-23-3/#page=84. Tabuteau referenced on p. 82.

Stolper, Daniel. Important PremiersTo The World’s Oboists. Vol. 5, No. 3 (1977): pp. 7-8. https://www.idrs.org/publications/229-to-the-worlds-oboists-1977-5-3/#page=6. Tabuteau referenced on p. 7.

Stolper, Daniel. Who Are They? Where Are They Now? To The World’s Oboists. Vol. 5, No. 3 (1977): p. 8. https://www.idrs.org/publications/229-to-the-worlds-oboists-1977-5-3/#page=8. Tabuteau referenced (photo) on p. 8.

Storch, Laila. Georges Gillet: Master Performer and Teacher. The Journal of the International Double Reed Society (1977): pp. 1-19.  https://www.idrs.org/publications/188-the-journal-of-the-idrs-1977/#page=9. Tabuteau referenced on pp. 1, 10, 12, 13, 16, 19; reprinted in The Double Reed. Vol. 19, No. 3 (1996): pp. 17-35. https://www.idrs.org/publications/60-the-double-reed-1996-19-3/#page=19. Tabuteau referenced on pp. 17, 26, 28, 29, 32, 35.

Storch, Laila. To the Editor. The Double Reed. Vol. 3, No. 3 (1980): p. 26. https://www.idrs.org/publications/104-the-double-reed-1980-3-3/#page=8. Tabuteau referenced on p. 26.

Storch, Laila. 100 Years of F. Loreé: 1881-1981. The Journal of the International Double Reed Society (1981): pp. 28-42.  https://www.idrs.org/publications/193-the-journal-of-the-idrs-1981/#page=34. Tabuteau referenced on pp. 28, 33, 34, 36, 38, 40.

Storch, Laila. The Georges Gillet Etudes: a Little-Known Early Edition. The Double Reed. Vol. 8, No. 2 (1985): pp. 34-38. https://www.idrs.org/publications/162-the-double-reed-1985-8-2/#page=36. Tabuteau referenced on pp. 34, 37, 38.

Storch, Laila. In Memory of Robert de Gourdon. The Double Reed. Vol. 16, No. 3 (1993): pp. 37-38.   https://www.idrs.org/publications/51-the-double-reed-1993-16-3/#page=39. Tabuteau referenced on pp. 37, 38.

Storch, Laila. My Dinner with Toscanini. The Double Reed. Vol. 18, No. 3 (1995): pp. 65-70. https://www.idrs.org/publications/57-the-double-reed-1995-18-3/#page=67 Tabuteau referenced on pp. 66, 70.

Storch, Laila. My Long Search for Odette Anais Rey. The Double Reed. Vol. 25, No. 1 (2002): pp. 29-46. https://www.idrs.org/publications/82-the-double-reed-2002-25-1/#page=20. Tabuteau referenced on pp. 29, 31, 32, 34, 37, 40, 46.

Sublett, Shelly, Alvin Swiney, and Sarah J Fitch, MD. Great Oboes of the Twentieth Century: Evolution of Tone Hole Anatomy. The Double Reed. Vol. 23, No. 2 (2000): pp. 65-70. https://www.idrs.org/publications/75-the-double-reed-2000-23-2/#page=68. Tabuteau referenced on pp. 67, 68, 69, 70.

Sundet, Jerald. Léon Goosens — Master Oboist. To The World’s Oboists. Vol. 2, No. 3 (1974): pp. 1-3. https://www.idrs.org/publications/220-to-the-worlds-oboists-1974-2-3/#page=1. Tabuteau referenced on p. 2; reprinted in The Double Reed. Vol. 20, No. 1 (1997): pp. 17-18. https://www.idrs.org/publications/64-the-double-reed-1997-20-1/#page=19. Tabuteau referenced on p. 17, 18.

Sundet, Jerald. Lady Evelyn Rothwell, “The Companion to Oboists.” To The World’s Oboists. Vol. 4, No. 1 (1976): pp. 1-3. https://www.idrs.org/publications/224-to-the-worlds-oboists-1976-4-1/#page=2. Tabuteau referenced on p. 2.

Vogel, Alan. French, German, and American Oboe PlayingThe Journal of the IDRS 1978: pp.19-29. https://www.idrs.org/publications/189-the-journal-of-the-idrs-1978/#page=19. Tabuteau referenced on pp. 19, 24, 26, 27, 28.

Webber, Miriam Brack. Note Grouping: A Music Theorist’s Perspective. The Double Reed. Vol. 38, No. 4 (2015): pp. 97-108. https://www.idrs.org/publications/142-the-double-reed-2015-38-4/#page=99. Tabuteau referenced on pp. 97, 98, 99, 101, 102, 103, 105, 106, 107, 108.

Webber, Miriam. Note Groupings: History, Theory and Practice. IDRS Conference Programs for 2016: p. 49. https://www.idrs.org/publications/27-conference-programs-2016/#page=50. Tabuteau referenced on p. 49.

Webster, Daniel. Farewell to the Master Leaving his Musical Mecca. Double Reed. Vol. 6, No. 4 (1983): pp. 8-11. https://www.idrs.org/publications/157-the-double-reed-1983-6-1/#page=10. Tabuteau referenced on p. 9; reprinted in The Double Reed. Vol. 12, No. 1 (1989): pp. 19-22. https://www.idrs.org/publications/37-the-double-reed-1989-12-1/#page=2. Tabuteau referenced on p. 20; reprinted in The Journal of the IDRS 1998: pp. 9-12. https://www.idrs.org/publications/185-the-journal-of-the-idrs-1998/#page=12. Tabuteau referenced on p. 10. Originally published in the Philadelphia Inquirer, July 10, 1983.

West, Philip. Paris–Var 1998. pp. 137-139. The Double Reed. Vol. 21, No. 3 (1998): pp. 137-139. https://www.idrs.org/publications/69-the-double-reed-1998-21-3/#page=44. Tabuteau referenced on pp. 137, 138, 139.

Woodhams, Richard. A Tribute to my Teacher, John de Lancie. The Double Reed. Vol. 21, No. 2 (1998): pp. 81-84. https://www.idrs.org/publications/68-the-double-reed-1998-21-2/#page=36. Tabuteau referenced on pp. 81, 82, 83.

Yoshimizu, Hiroshi. The History of the American Method of Oboe Playing in Japan and Oboe Player Situations. The Double Reed. Vol. 25, No. 1 (2002): pp. 93-97. https://www.idrs.org/publications/82-the-double-reed-2002-25-1/#page=20. Tabuteau referenced on p. 94; reprinted in The Double Reed. Vol. 38, No. 2 (2015): pp. 65-72. https://www.idrs.org/publications/140-the-double-reed-2015-38-2/#page=67. Tabuteau referenced on pp. 67, 69.

Several Authors. 25 Years in the Cleveland Orchestra and a New Concerto. The Double Reed. Vol. 15, No. 1 (1992): pp. 63-69. https://www.idrs.org/publications/46-the-double-reed-1992-15-1/#page=30. Tabuteau referenced on pp. 65, 66, 67.

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What's New!

An audio interview with Joan Browne (Champie), a private Tabuteau student in the early 1950s.

A photograph of the music stand that was in Tabuteau’s private studio in Philadelphia.

An autographed photo of Marcel Tabuteau inscribed to Vladimir Sokoloff.

An autographed photo of Marcel Tabuteau inscribed to Joan Browne Champie.

With the passing of Wilbur Isaac Hilles in August 2023 and now Martha Scherer-Alfee in February 2024, no oboe students of Marcel Tabuteau at the Curtis Institute are still living.

A letter sent to the Curtis Institute by Laila Storch’s mother about Tabuteau not teaching at Curtis—and the reply.