Marcel Tabuteau First-Hand

MT era oboe

Brief Mentions 2021-

Many IDRS articles briefly cite Marcel Tabuteau for contextual purposes. The excerpted segments are presented chronologically by year.

2021

Libby Van Cleve. Review of Great Oboists on Music and Musicianship by Michele L. Fiala and Martin Schuring. The Double Reed. Vol. 44, No. 1 (2021): pp. 173-174. https://www.idrs.org/publications/the-double-reed-vol-44-no-1-2021/#page=175. Tabuteau referenced on p. 173.

Geoffrey Burgess. Message from the Oboe and Bassoon Editors. The Double Reed. Vol. 44, No. 2 (2021): p. 7. https://www.idrs.org/publications/the-double-reed-vol-44-no-2-2021/#page=9. Tabuteau referenced on p. 7.

Howard Pollack. Samuel Barber’s Canzonetta for Oboe and String Orchestra. The Double Reed. Vol. 44, No. 3 (2021): pp. 54-62. https://www.idrs.org/publications/the-double-reed-vol-44-no-3-2021/#page=56. Tabuteau referenced on p. 54.

Mark S. Roosa. Reflections on a Bountiful Career: In Conversation with Bassoonist John W. Miller, Jr. The Double Reed. Vol. 44, No. 3 (2021): pp. 77-86. https://www.idrs.org/publications/the-double-reed-vol-44-no-3-2021/#page=79. Tabuteau referenced on p. 79.

Robert Stephenson. The Post-Pandemic Game Plan. The Double Reed. Vol. 44, No. 3 (2021): pp. 149-156. https://www.idrs.org/publications/the-double-reed-vol-44-no-3-2021/#page=151. Tabuteau referenced on pp. 153, 155.

Geoffrey Burgess. An Interview with Jeffrey Reinhardt, former Laubin Employee. The Double Reed. Vol. 44, No. 4 (2021): pp. 26-29. https://www.idrs.org/publications/the-double-reed-vol-44-no-4-2021/#page=29. Tabuteau referenced on p. 27.

2022

Martin Schuring. Review of From Stages to the Stage: An Oboist’s Guide to Reed Making Success! by Jan Eberle. The Double Reed. Vol. 45, No. 1 (2022): pp. 175-176. https://www.idrs.org/publications/the-double-reed-vol-44-no-1-2021/#page=175. Tabuteau referenced on p. 173.

Margaret Phillips and Barbara LaFitte. Double Reed Weekend at Boston Conserveratory at Berklee, September 2022. The Double Reed. Vol. 45, No. 3 (2022): pp. 39-40. https://www.idrs.org/publications/the-double-reed-vol-45-no-3-2022/#page=42. Tabuteau referenced on p. 40.

Jeremy Polmear. Review: Does History Matter. The Double Reed. Vol. 45, No. 3 (2022): pp. 163-166. https://www.idrs.org/publications/the-double-reed-vol-45-no-3-2022/#page=165. Tabuteau referenced on pp. 163, 164.

Geoffrey Burgess. Through the Camera’s Lens: Libby Hedrick and a Modern Method of Oboe Reed Making. The Double Reed. Vol. 45, No. 4 (2022): pp. 173-176. https://www.idrs.org/publications/the-double-reed-vol-45-no-4-2022/#page=175. Tabuteau referenced on p. 175.

2023

David Rachor. Review of La Couture-Boussey: Regards sur La Facture Instrumental, Emanuel Marconi, editor. The Double Reed. Vol. 46, No. 1 (2023): pp. 129-134. https://www.idrs.org/publications/the-double-reed-vol-46-no-1-2023/#page=131. Tabuteau referenced on p. 132.

Will Stevens. A Gathering to Remember Robert Bloom (1908-94). The Double Reed. Vol. 46, No. 2 (2023): pp. 17-20. https://www.idrs.org/publications/the-double-reed-vol-46-no-2-2023/#page=19. Tabuteau referenced on pp. 17, 18.
William Wielgus. Harry Milton Smyles: Pioneering African-American Oboist and Advocate for Diversity. The Double Reed. Vol. 46, No. 2 (2023): pp. 41-60. https://www.idrs.org/publications/the-double-reed-vol-46-no-2-2023/#page=42. Tabuteau referenced on p. 41.

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What's New!

An audio interview with Joan Browne (Champie), a private Tabuteau student in the early 1950s.

A photograph of the music stand that was in Tabuteau’s private studio in Philadelphia.

An autographed photo of Marcel Tabuteau inscribed to Vladimir Sokoloff.

An autographed photo of Marcel Tabuteau inscribed to Joan Browne Champie.

With the passing of Wilbur Isaac Hilles in August 2023 and now Martha Scherer-Alfee in February 2024, no oboe students of Marcel Tabuteau at the Curtis Institute are still living.

A letter sent to the Curtis Institute by Laila Storch’s mother about Tabuteau not teaching at Curtis—and the reply.